Still trying to improve my line work. This is from a drawing I made a few years ago that I decided to rework by adding a design element to it. It also gave it a bit of an engraving look.
While on vacation one evening, our daughter and I set our alarms to get up early enough to watch the sun rise over the ocean. The show is every bit as spectacular as a sunset, only in reverse. This image is made from a photo, and I intended it to be a fast watercolor, but I so overworked it that I had to call in the gouache cavalry to save it.
Low cloud cover in the evening can obscure what would otherwise be a spectacular sunset. But nature still puts on a colorful display, even as the sun disappears before reaching the horizon. This is another view across a salt water bay. I used a painting that I did about ten years ago as the basis for this one. I am now copying myself.
Happy Birthday USA!
Here is a spot created by the immensely talented children’s book illustrator Amy Wummer. Watercolors on bristol board.
For more of Amy’s work, see here and click on the word Illustration.
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One year our shore vacation was a total washout. It was sunny the day we arrived, and the day we left. In between was some of the worst weather we’ve ever experienced. High winds, torrential rains; one night the ocean breached the dunes and sent a few waves into the streets. After that the bay flooded the other side of the island. There was only one thing left to do. We put on our rain gear and hit the beach anyway.
This is from a portrait workshop that I attend on occasion. I use this opportunity to try to hone my drawing skills, and also as a way to study value in preparation for color work. By grouping highlights, mid tones and shadows with each other, a composition becomes more cohesive, and thus easier to paint.
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